Strange emanations

19 Aug

Mining the radioactive rocks of Cornwall

Mining the radioactive rocks of Cornwall

A few months ago I was at an art conference in Penzance, Cornwall. The first full day of the three-day event consisted of a field trip to some local mines, where a barrel-chested ex-miner told us about radioactivity. The rocks here were mined for tin for thousands of years, but in amongst the ore were strange black lumps.

This was radium, the substance discovered by Marie Curie in 1898, and whose deathly – poisonous – properties it took decades to uncover. Ignorant of its side effects, radium was added to everything from drinking water to toothpaste and hair creams. One advert for radium toothpaste produced as late as World War II claimed that radium “gently polishes the dental enamel and turns it white and shiny.”

Uranium, a potentially more deadly substance that ultimately gave us the atomic bomb, has been used for decorative glass for hundreds of years – long before its explosive properties were discovered. Uranium use took off in the 19th century as an additive that could make glassware glow green.

The attractive green glow of uranium glass.

The attractive green glow of uranium glass.

Louis Thompson’s glassware ‘Reap What You Sow’ is similarly made of uranium glass – or at least, uranium is present in a harmless, trace quantity. The presence of the substance recalls a history of processes and discovery, of the confluence of craft and science.

Louis Thompson, Reap What You Sow, 2012. Exhibited at the Jerwood Makers Exhibition

Louis Thomson, Hive, 2011. Exhibited at the Jerwood Makers Exhibition, 2012

Louis Thompson, Hive, 2011. Exhibited at the Jerwood Makers Exhibition, 2012

Thompson’s Hive consists of a series of seemingly unusable glass vessels. They are sealed like barrels of contaminated waste. Hive is a field of alien-looking forms reaching out towards one another like sentient beings. They look like they emanated from the rocks – as forms, they are as strange and otherworldly as the isotope they contain.




One Response to “Strange emanations”

  1. Lucy Wheeler September 14, 2012 at 10:19 am #

    The ambiguity of Louis Thompson’s vessels is also suggested in their very materiality. The viscous properties of glass suggest instability and flux. Colin Perry’s statement that the alien-like vessels almost reach towards one another is hauntingly heightened by the ‘snare’ of glass as a material itself. Fascinating work.